ArtsPraxis, Volume 5 Issue 2

The cover image for Arts Praxis Volume 5 Issue 2, 2019, is from a keynote presentation in which the words "all theatre is political" were crossed out - in an attempt to provoke conversation, which is the shared aim of this issue.

ArtsPraxis Volume 5 Issue 2 has been published.

Last April, at the 15th annual Forum: Performance as Activism, I was heartened to meet practitioners, artists, educators and scholars from around the globe who were enthusiastically engaged in using the art form of theatre to address pressing social and cultural issues. This edition of ArtsPraxis includes fourteen inspiring and pertinent articles that report on activist theories and practices that have been initiated, explored and successfully implemented in communities and classrooms.

At the Forum, we asked, “How is activism defined or redefined in 2018?” Through panel discussions, workshops, performances and paper presentations we explored how activism can disrupt, subvert and transform dominant social and political narratives. More than sixty presenters from twelve different countries relayed inspirational and revelatory methods towards the goal of promoting enduring social change through aesthetic expression. In this global space of open dialogue and exchange, we, as activists learned about organizational methods, pedagogical tools, aesthetic devices that, in responding to the complexities of our time, push past boundaries and binaries to redefine cultural innovation.

I hope that you will be inspired by the following theories and practices offered in this volume, ranging from the metamodern to dialogical activism to personal resilience, and surrounded by artistic innovation.

This issue of ArtsPraxis is available for download.

Editorial – NANCY SMITHNER

NYU Keynote – PING CHONG

Deaf Talent: Richness within Our Stories by James W. Guido – JAMES W. GUIDO

Ximonïk: The Unbound Performances of Maya Women’s Group Ajchowen – CHELSEA HACKETT

Hope with Dirty Hands: Community Theatre Participation as Activism in Everything is Possible – BRIDGET FOREMAN

Energize, Resist, Re-Purpose: An American Theatre Responds – PENELOPE COLE

From the School to the Educating Community: Practices of Social Theatre in Italy as a New Form of Activism – GIULIA INNOCENTI MALINI

Leaping into the Disassociated Space: Unknowing Activism, Agency and Youth Identity in “Notes From Nowhere” – GUSTAVE WELTSEK and CLARE HAMMOOR; ILLUSTRATIONS BY KYLIE WALLS

Students as Arts Activists: Insights and Analysis from a Politically Engaged Assessment – MATTHEW REASON

Inciting Solidarity through Plural Performativity and Pedagogical Aesthetics in Ethnodrama with Marginalized Youth in Toronto – RACHEL RHOADES

Beyond the Wall: Borderland Identity through Puppets – ANA DIAZ BARRIGA

The Aesthetics of Activism in Korea: The Utopian Performative and Communitas – JISUN KIM

A Silent Shout: Metamodern Forms of Activism in Contemporary Performance by Tom Drayton – TOM DRAYTON

“It Did Get Rid of the ‘These People Are Old People’ Thing in My Brain”: Challenging the Otherness of Old Age through One-to-One Performance – BRIDIE MOORE

Inday Dolls: Body Monologues and Lullabies for Freedom in Prison; Scripting Possible Futures in Justice Art in Iloilo’s Correctional System – MA ROSALIE ABETO ZERRUDO and DENNIS D. GUPA

Media Practice and Theatre in Conversation: Co-Creating Narratives for Positive Social Change – JACKIE KAULI and VERENA THOMAS